Do white performers (eg. Eminem, Vanilla Ice) have a moral right to perform hip hop?
The question of who to perform which music is a form of control of who and how best to give to the audience the best of the art form giving them (the audience) a heart thrilling and mind blowing treat. But the question of who has the right to perform which music (
Giving the popularity and influence of hip hop today it
Hip hop is a form of art and culture made up of elements like music, especially rap; disc jockey,
By the 1980s and with the foundations set by DJ Herc, hip hop has already become a household name and has gained widespread popularity occasioned by other entrants into the industry like Sugar Hill Gang, Grandmaster
At about the same time, a movement – the Hip Hop movement started to spring up from the South Bronx area. They organized
In the American society, hip hop played a very important role in keeping away people especially youths from violence. The outdoor parties and music fiestas provided them with opportunities and avenues to exhibit their youthful energy. It provided an alternative to violence and was a veritable means of expressing the social issues and problems of their culture as contained in the lyrics of their songs. An important element hip hop music is rap. The Grandmaster Flash and the Furious Five were instrumental to the development of this aspect of hip hop releasing albums and songs that were the best at that time and topped the list of music charts. The Sugar Hill Records by the Grandmaster Flash and the Furious Five debut was in 1980 titled “Freedom” and was on the top 20 of the National R & B charts. Others followed, “Birthday Party”, “The Adventures of Grandmaster Flash on the wheels of Steel” in 1981, and “The Message” in 1982. Their works redefined
You can order a similar but unique paper on "Do white performers have a moral right to perform hip hop?” from our custom paper writing service and secure yourself a high grade. HandMadeWritings is the top spot to buy research paper, term paper, essay, or even dissertation.
Hip hop today has gone beyond the marginalized African-American inhabitants of New York to mainstream music. The crux of the matter is that the proponents of “Black hip hop” claim
These elements are believed to have been suppressed since the advent of
When an artist fails in this regard, they loose the support of their people. Those that are termed successful are those that maintain the link to the ‘hood’, and singing about their experiences while remaining relevant and appealing to the mainstream audiences. Another way of defining authenticity is by asserting your “blackness” and these were seen in the lyrics of songs.
“The lyrics of many MCs affirm the importance of blackness to hip-hop authenticity. For instance, Ice Cube connects black pride with authenticity in his song “When Will They Shoot”: “Calling me an African-American/like everything is fair again, shit/Devil, you got to get the shit right, “I’m black/blacker than a trillion midnights.” (Hess, 2005)
Hip hop lyrics is more like an autobiography which talks about the pains and struggle of the blacks who fought for freedom from racism and other problems suffered in the hands of the white. Hip hop fabricated a form of authenticity around the black culture that will enable
A very complex task here in maintaining authenticity is one of not “giving in” to the mainstream which has its origin in remaining credible and being true to oneself.
Other aspects of authenticity in the hip hop culture include; adherence to “street” values, knowledge of the hip hop culture and hyper-masculinity.
Maintaining this authenticity which is of utmost importance, could be quite complex and challenging especially when the artists themselves have become “commercialized” in a way after rising to stardom and fame. This is common among modern artists who are more concerned with making money than maintaining the “hood” link. Also, the fact that some artists may meet up with the obligations of conforming to authenticity in some aspects and fail in others makes the issue of authenticity a subjective issue.
Artists reflect the realities inherent in their culture and society, they must change constantly as their conditions change to remain relevant and meet the demands of their people, a point that makes it possible for not just black rappers to venture into the hip hop industry.
Moral right presupposes that your work is original and that the artist is the legal and rightful owner of the work. It gives the author of any work the right to make claims and demand for financial reimbursement in case of copyright infringement. The author in question can object to any changes that would invariably dent his image. Moral right aims at maintaining the integrity of original works. I see a link between moral right and cultural heritage an aspect of hip hop culture that is being upheld till date. Therefore, the question of
White artists’ involvement in hip hop has a more lasting effect than it is envisaged as these artists tend to identify with the struggle and “selling” it to the white community in particular and the world in general. Artists like Eminem for instance, “emphasizes the autobiographical basis of his lyrics and his struggle to succeed as a rap artist; he presents a new model of white hip-hop authenticity in which being true to yourself and to your lived experiences can eclipse notions of
Hip hop music like any other form of music is universal, no matter which language it is sung or whoever sings it, it makes an impact. Emotions, feelings are expressed in music, it captivates the audience and speaks to different people stirring the very emotional depths and awakening corporate feelings. Hip hop is the Black American Music by birth and the phenomenon of originality is linked to its root and culture. The concept of an artist being true is of ancient African tradition of honesty and of African practices like testifying and bearing witnesses. The forms of the music, the
Despite the transformations and modifications of hip hop it still remains an art form exerting its influence on the society giving
Efforts should rather be made enlighten upcoming artists on the origin and history of the hip hop culture and encourage them to preserve same.
Hip hop is seen by many as a way of life, combining character and rhythm. This unique nature of the art expresses the culture and creativity in expressing the yearnings of the people, thus rap artists must reflect all these in their arts which would lead to a psychological reorientation and a wider acceptance of the hip hop culture. White Artists involvement in
From the foregoing, we can conclude that the moral right or act of performing hip hop should not a prerogative of a particular people, albeit it may have originated from a group of people or from a culture, it is still an art form that has gone beyond the original “owners” to mainstream art. Hip hop
Conclusively, hip hop today, though created by blacks, transcends beyond cultures and suburbs. It is touted as one of the most influential in American history and has the potentials of mending ethnic quibbles. I think that whites doing hip hops
Enormous impact on ethnic relations in our society can be made by hip hops message of love,
- Light, Alan (1999). Vibe History of Hip Hop. Book & CD ed. New York: Three Rivers Press
- Hess, Mickey (2005). Hip-hop Realness and the White Performer. Critical studies in Media Communication. Retrieved from http://www.mickeyhess.com/realness.pdf
- Motley, Carol & Henderson, Geraldine (2008). The global hip-hop Diaspora: Understanding the culture. Retrieved from http://www.sociodep.hku.hk/bbf/BBF%20Readings%20W11/W11%20The%20Global%20Hip%20Diaspora.pdf
- Jonathan, Williams (2007). Tha Realness: In Search of Hip-Hop Authenticity. College Undergraduate Research Electronic Journal of the University of Pennsylvania. Retrieved from http://repository.upenn.edu/cgi/viewcontent.cgi?article=1093&context=curej
- CNN (2001). Hip-hop music goes global. CNN online publications Retrieved from http://archives.cnn.com/2001/SHOWBIZ/Music/01/15/wb.hiphop/index.html
- Ogg, Alex., David Upshal., and Alexander Ogg. (1999). The Hip Hop Years: The History of Hip Hop. Book & CD ed. Trans Atlantic Publications, Inc.
You are welcome to order a custom essay, research paper, dissertation, term paper, thesis or dissertation from the finest custom essay writing service on the market. This is the best place to buy term paper online, you are welcome to place your order and get started now!